Welcome to the Met: An Imagined Museum on the Web
A contextual introduction to Anjali Arora's Welcome to the Met and the questions an interactive museum raises about paintings, space and attention.
An imagined museum, 2001Art on screen,
then and now.
A record of early web art, imagined museums and interaction design, with paths back to the works and ideas that first lived here.
The historical Artbrush site belonged to artist and interaction designer Anjali Arora. This independent 2026 edition identifies surviving references and adds new context. Archived versions are linked within each record.
Nothing Is Impossible Out Here: Satire and Interaction
An introduction to Anjali Arora's early web-art satire and a closer look at how interfaces can express power, permission and unequal choices.
Political satire in early web artA Jolt from Deep Within: An Early Web Artwork
Context for Anjali Arora's animated web artwork responding to the January 2001 Gujarat earthquake, with clear distinctions between art and documentation.
An animated response to the Gujarat earthquakeDigital Divide: Access, Participation and Early Web Art
A contextual introduction to Anjali Arora's Digital Divide and the difference between reaching a website and taking part in networked culture.
Digital inequality and networked participationUrban Lullaby: Listening to the City
A historical record of Anjali Arora’s Urban Lullaby and an introduction to city sound, attention and early interactive art.
Urban sound and early interactive artFinding and remembering
FoundIt and the interaction-design question of finding information again. Explore the historical product and its tour.
Personal information managementWhat survives a web artwork?
Reading an old reference means more than checking whether a page loads. Our preservation notes separate surviving links, contextual records and complete interactive works.
More from the record
Information design, a mail-art guest reference and 2004 mobile-web coursework show the range of Artbrush’s former connections.